The main oscillator you hear is an Intellijel Dixie sine wave run through an Antimatter Sub-ring to add white noise and (eventually) some sub-oscs. The DC-2e is run into one half of the Double Andore which is cross modding it's other half to get distorted, ring-mod type of timbres. The filter is a WMD/SSF MMF. The output delay is a Line 6 Echo pro. No sequencers were used, only gates and a quantizer. Line-level live recording.
Melody using gates and a sample & hold module (no sequencer). The DC-2e has a very "beefy" sound, very alive and untamed, due to the oscillators and resonant filters. There is a little reverb added from an Eventide Space. Line-level, recorded live.
I've assembled a eurorack expanded voice to accompany the Rare Waves DC-2e. No sequencers involved, just gates, mixers, and a quantizer. A Harvestman Double Andore supplies the output and vca. This is a simple sequence in a "3/4" type of rhythm, going into a Line 6 Echo Pro delay. Line-level live recording.
Grendel Grenadier is being clocked by the square wave LFO of the Arturia Microbrute. Grenadier is driving a JHS Pedals Emperor chorus pedal, then into a Roland RE-20 for delay. Microbrute effect is a Line 6 Echo Pro delay. Both synthesizers are being sequenced internally.
Patch notes: Future Retro Orb as master clock. Orb is sequencing the Microbrute which runs into an Echorec pedal for delay effect. 2 Doepfer MAQ’s are sequencing a PerFourMer which is doing 2 voices, one of them being the panned bassline, which is run through an Eventide Space pedal. The other PerFourMer voice is 2 synced triangles through a Roland RE-20. The mixer is offscreen.
A 4-voice melodic sequence by the Vermona PerFourMer and 2 Doepfer MAQ's and one FutureRetro Orb. Also used was a Roland RE-20 delay and Pittsburgh Modular Verbtronic for effects.
Four voices in E Major. The first two heard are from the PerFourMer and have some analog chorus (JHS Emperor pedal) and some Moog drive from a MURF pedal, pinging around through a delay. The "pad" sound is from an EHX Superego pedal, modified to accept trigger CV's. It is triggered by a G8 clock divider (eurorack). Eventide Space "blackhole" effect is used. Finally the high pitched voice is the microbrute sequenced by a Future Retro Orb, into a Roland RE-20 delay.
My attempt at a sound effect scene: The sounds a person might hear while sitting on a porch in North Dakota during wind-swept conditions. The "wind" is 2 noise voices from the PerFourmer, panned left and right so they sweep around. The "wind chimes" are a PerFourmer square wave sequenced by the Doepfer MAQ, running through a Modcan Dual Frequency Shifter (which gives it the windchime tube sound) then through a clocked delay from the Disting euro module.
Every now and then there is a "hawk" screeching in the distance. This "hawk" is a square wave FM'd by a fast S/H LFO. It also goes through an Echorec pedal delay.
All the sounds go through an Eventide Space for some ambience.